Taisa de Barros e Silva Storace Nasser was born in Sao Paulo in July 1953. She graduated in Architecture from the Faculty of Architecture and Urbanism of the University of São Paulo in 1976. “The military dictatorship was a particularly difficult time, Belonging to a liberal
family , limitations on freedom of expression and the imposition of dogma and ideological control of the family private life it was a periud of struggle and anguish” said the artist
curator-the aclamed art critic, journalist,writer….jakob Klintowitz.
Taisa libertarian chose a liberal profession, architecture. And she was always close to artists, intellectuals and the search for the meaning of existence. According to the jacob "The painters has always been linked to the process of creation. First as an architect planner, when he thought,
planned and related integrated systems of living, being and development. Was responsible
for creating as a team, and by performing great projects. And always was in close contact with philosophy, visual arts and literature. " In this personal journey, from architectural planning to construction and finally to painting, the artist walked inside, to the inner-self, to discover himself and his innermost desire. More than a necessity, perhaps, is the sense of an obligation, to encode and transmit an extraordinary experience in the field of sensitivity and awareness of what drove Taisa to this encounter with the painting. In addition to presenting their works to market she is a
collector and has formed a collection of works by masters such as Di Cavalcanti, Antonio Gomide, Djanira, Iannelli, Antonio Henrique Amaral, among others.
Taisa Nasser's painting has a harmony, a classical structure and a symmetry that reveals a mastery of the chromatic combination only possible to the great masters. An extraordinary texture and surface where there is a dialogue between the plane and the third dimension. The
birth of a new being in the larger body color. A sort of hidden world, apparent that in questions. There is here a particular system of unification of the whole. Individuality and immersion in the set.
The universe is unified in paintings such as the artist.
The appearance and reality are one the same. The surface
colors with establishes a profound dialogue between the plane and the third dimension.
They showed us that it is possible simultaneity: individuality and immersion in all ... “an harmony subsists
in this work ... and life ... Nasser works in the record on a superior planning.
In main lines, in search of synthesis and harmony. And the harmony in its
etymological and mythical, is precisely the coexistence of different
"thus explaining the reconciliation of the various components of life-Taisa Architecture, Painting and business”
The light and the fog makes some
paintings mysterious. There is a delicacy of execution, a subtlety a savoir
faire. The dramatic action of the painter's painter dizzying, the speed and certainty of
execution, the formal coherence of her work have imposed an immediate consideration to the art circuit as a possible
renewal of Brazilian history to Expressionism, so strong in this country. But
Jacob and the artist refuse labels or look traditional artistic connotations preferring other
approaches "... ... is an objective picture of a subtle energy,
spiritual"said Jacob
There is a consistency in paintings such Nasser that helps
explain the interest aroused by his work. Both the previous phase, lyrical, sensitive, as is
currently the color contrast, reveals a new Comprehension of art as expression, as a
psychic message ..., a desire for transcendence.
Nasser is an ideologically uncompromising artist, but has a clear vision of the
world, want to share emotions and desires although there
is not a desire to convince or change the public which makes contact with the art there is an
exciting in the search for meaning
depths of existence.
The words of the artist has a mystical or spiritual
nature that curiously does not depend on the position of the artist from the
ideological spectrum. The greatest painter of religious art, Candido Portinari was
an atheist and a communist. Livio Abramo, who discovered the lights
visually african-Brazilian rituals, such as Candomblé and Macumba, was too leftist. In Brazilian art, the connection to the
spiritual world is deeply rooted showing sometimes explicitly, sometimes
through the symbolism of shape.
The artist not only brought the graphical experience, but
also knowledge of Zen Buddhism as an expansion of consciousness. Ego noticed
the presence of the soul. ... The process was accompanied by his master Alencastro Luiz Gasparetto. "Their ability to soak in the process and its visible unity with the action and its identification for the purpose. Taisa Nasser is fundamentally a painter. I do not see in other artist like her. A clear sensitivity to the perception of the unknown, to uncover the occult, to become visible. It is a pictorial expression, therefore, spiritual. For now, his work converges for us to meet us, to “asks” for a possible dialogue, a discussion of evidence, insights and surprises, I would add speed and certainty of execution that are visible, the formal coherence to her paintings made the art circuit avveptance of her work almost cyclonic, her strong cultural background is
definetely a plus. Taisa Nasser has several exhibitions scheduled in Europe, United States Brazil.
In addition to architecture and fine arts such, she is an integral member of the industry as a shareholder of several companies.
family , limitations on freedom of expression and the imposition of dogma and ideological control of the family private life it was a periud of struggle and anguish” said the artist
curator-the aclamed art critic, journalist,writer….jakob Klintowitz.
Taisa libertarian chose a liberal profession, architecture. And she was always close to artists, intellectuals and the search for the meaning of existence. According to the jacob "The painters has always been linked to the process of creation. First as an architect planner, when he thought,
planned and related integrated systems of living, being and development. Was responsible
for creating as a team, and by performing great projects. And always was in close contact with philosophy, visual arts and literature. " In this personal journey, from architectural planning to construction and finally to painting, the artist walked inside, to the inner-self, to discover himself and his innermost desire. More than a necessity, perhaps, is the sense of an obligation, to encode and transmit an extraordinary experience in the field of sensitivity and awareness of what drove Taisa to this encounter with the painting. In addition to presenting their works to market she is a
collector and has formed a collection of works by masters such as Di Cavalcanti, Antonio Gomide, Djanira, Iannelli, Antonio Henrique Amaral, among others.
Taisa Nasser's painting has a harmony, a classical structure and a symmetry that reveals a mastery of the chromatic combination only possible to the great masters. An extraordinary texture and surface where there is a dialogue between the plane and the third dimension. The
birth of a new being in the larger body color. A sort of hidden world, apparent that in questions. There is here a particular system of unification of the whole. Individuality and immersion in the set.
The universe is unified in paintings such as the artist.
The appearance and reality are one the same. The surface
colors with establishes a profound dialogue between the plane and the third dimension.
They showed us that it is possible simultaneity: individuality and immersion in all ... “an harmony subsists
in this work ... and life ... Nasser works in the record on a superior planning.
In main lines, in search of synthesis and harmony. And the harmony in its
etymological and mythical, is precisely the coexistence of different
"thus explaining the reconciliation of the various components of life-Taisa Architecture, Painting and business”
The light and the fog makes some
paintings mysterious. There is a delicacy of execution, a subtlety a savoir
faire. The dramatic action of the painter's painter dizzying, the speed and certainty of
execution, the formal coherence of her work have imposed an immediate consideration to the art circuit as a possible
renewal of Brazilian history to Expressionism, so strong in this country. But
Jacob and the artist refuse labels or look traditional artistic connotations preferring other
approaches "... ... is an objective picture of a subtle energy,
spiritual"said Jacob
There is a consistency in paintings such Nasser that helps
explain the interest aroused by his work. Both the previous phase, lyrical, sensitive, as is
currently the color contrast, reveals a new Comprehension of art as expression, as a
psychic message ..., a desire for transcendence.
Nasser is an ideologically uncompromising artist, but has a clear vision of the
world, want to share emotions and desires although there
is not a desire to convince or change the public which makes contact with the art there is an
exciting in the search for meaning
depths of existence.
The words of the artist has a mystical or spiritual
nature that curiously does not depend on the position of the artist from the
ideological spectrum. The greatest painter of religious art, Candido Portinari was
an atheist and a communist. Livio Abramo, who discovered the lights
visually african-Brazilian rituals, such as Candomblé and Macumba, was too leftist. In Brazilian art, the connection to the
spiritual world is deeply rooted showing sometimes explicitly, sometimes
through the symbolism of shape.
The artist not only brought the graphical experience, but
also knowledge of Zen Buddhism as an expansion of consciousness. Ego noticed
the presence of the soul. ... The process was accompanied by his master Alencastro Luiz Gasparetto. "Their ability to soak in the process and its visible unity with the action and its identification for the purpose. Taisa Nasser is fundamentally a painter. I do not see in other artist like her. A clear sensitivity to the perception of the unknown, to uncover the occult, to become visible. It is a pictorial expression, therefore, spiritual. For now, his work converges for us to meet us, to “asks” for a possible dialogue, a discussion of evidence, insights and surprises, I would add speed and certainty of execution that are visible, the formal coherence to her paintings made the art circuit avveptance of her work almost cyclonic, her strong cultural background is
definetely a plus. Taisa Nasser has several exhibitions scheduled in Europe, United States Brazil.
In addition to architecture and fine arts such, she is an integral member of the industry as a shareholder of several companies.
Taisa has a permenent exhinition at the Monsserat Contemporany Arts Gallery and in November she's going to be u New york City with an exhibition at Bank of Brazil.
